top of page

Peter Yovu's new poetry chapbook is an exploration of what is most us

  • josephaversano
  • Feb 4
  • 3 min read
The cover of Peter Yovu's new digital poetry chapbook What Is Me Is Most Who I Am with cover art by the author.

Half Day Moon Press is delighted to announce the digital-format release of Peter Yovu's new poetry chapbook What Is Least Me Is Most Who I Am (HDMP NO. 19). While the work on one level draws from the wilds of Yovu's Vermont, his youth, and travels to far-flung shores, it primarily plunges the reader into the core of what is most us.


Hinting at how unearthing what is most us is even possible, the chapbook's opening line reads: emptiness is home to all things but itself. This "emptiness" is the space we abide in emptied of egocentricity and any limiting notions of what the self can be (cf. "what is least me"). It is this clearing that affords enough room for co-existence and inter-being (at least ecopoetically) with "all things"; and in Yovu's work, this extends to all that is present, future, and past.


Nature is included among "all things", and for Yovu, nature is hardly an entity that can be locked outside while we are cozily sitting indoors in our favorite reading chair. It is nearer and far more intimate than one may think. It pervades our waking thoughts and dreams, as made apparent in the poem "This Animal". To go even further, we can go so far as to assert that our innate nature is nature itself. By way of comparison, what has been said about Thomas Tranströmer's writing in connection with nature can be said about Yovu's:


... throughout Tranströmer's body of work are the transferences between nature and humans, which the reader comes to embrace as transformations ... There is communion ... (1)

The same commentator states further on, "Tranströmer animates nature and humanizes it as well, which creates an intimate surrealism." (2) This sense of overlapping being in all of its surrealness is apparent, for instance, in the following Yovu poem:



The Poet


You say trees, you say dusk,

believing there is

something you can track, follow

into what is


no longer belief

but life—


then, as if eyes others than yours could see,

you pause,


look up just as a fox

loping across the field

to where the forest is

already night


pauses,


turns,

looks back at you,


and you


are gone



Emptiness is also "home" to language. Yovu brings us closer to the roots of inherited language in his poem, "Regression," where primal clods of sound emerge unobstructed from both the physical body and the "mud dark and dankly rooted" collective unconscious. These "break through the earthflesh" the poet is "rolled into" and clump and combine to form language. More importantly, it is from this unclogged and preliterate place that any freshness or originality in language can begin to show. Yet this must come at the expense of any firmly fixed boundaries that rope off the self from the deep. Transformation occurs when such hindrances "slip under" and "drown"...



Regression


Words sing me, hold me, crumble

to ur-sounds, sputter,

dissolve. I slip under

the word-bog,


mud-dark and dankly rooted.

Larval lip-bubbles

break through the earthflesh

I am rolled into, am


inseparable from.

A cochleal ocean

hums, brings

waves of whitewarmth


to swim into and drown.



There is yet further room for emptiness when considering the shorter verses that intersperse What Is Least Me Is Most Who I Am, including the one-line poems that conclude most sections. These sit surrounded by blank space on all sides as if to embody the very "emptiness" mentioned at the outset of Yovu's book. Single lines or stanzas are what longer poems are built upon or even how they begin, and their coiled compactness springs outwards upon impact.


sea breeze the barnacle at the back of my eye opens


Additionally, the shorter pieces have the feel of haiku embedded in haibun, that is, if one allows for the sections of longer poems to substitute for haibun prose. This, no doubt, challenges more traditional ideas of what a haibun can be.


+ + +


Other works by Peter Yovu include Shine Shadow (Red Moon Press, 2024) , which received the Touchstone Distinguished Books Award in 2024, and Imago (Ornithopter Press, 2016). A print edition of What Is Least Me Is Most Who I Am will be made available in the near future.


(1) From Yusef Konunyakaa's illuminating introduction to Tranströmer, Tomas. The
Blue House: Collected Works of Tomas Tranströmer. Translated by Patty Crane,
Copper Canyon Press, 2023.
(2) ibid.

Comments


© 2022 by Joseph Salvatore Aversano. Proudly created with Wix.com

bottom of page